FROM CULTURAL HERITAGE TO DEVELOPMENT THROUGH CREATIVITY
By Silvia Cerisola The idea that cultural heritage may have a positive impact on economic development has been spreading for the last twenty years. However, its contribution is often just…
Author: trilcenavarrete
Posts by trilcenavarrete
DOES MUSIC SOOTHE THE SOUL?
By Jonathan Daniel Gómez‐Zapata, Luis César Herrero‐Prieto, and Beatriz Rodríguez‐Prado Music is linked to human senses and emotions and is one of the most important manifestations of mankind’s creativity as…
EFFECTS OF COVID-19 IN BRAZILIAN CULTURAL ECONOMICS
By Ana Flávia Machado, Débora Freire, Rodrigo Cavalcante Michel, Gabriel Vaz de Melo, and Alice Demattos Guimarães The Covid-19 global pandemic has drastically changed routines in worldwide. Given the high…
POLICING ART CRIME
By Naomi Oosterman In the cold winter’s night of 9 to 10 January 2005, criminals left a devastating scene at the Westfries Museum in Hoorn, the Netherlands. Glass doors were…
TEACHING CULTURAL ECONOMICS
By Trine Bille, Anna Mignosa and Ruth Towse Is busking a source of income? What is the role of copyright for creators and performers? Can philanthropy and crowdfunding substitute the…
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES
By Marie Ballarini In France, museums are mainly public and almost all depend on state subsidies (private museums included). Faced with the stagnation of the latter, or even their substantial…
ACEI 2020 MOVED TO 2021
The organisers of the 21st International Conference on Cultural Economics #ACEI2020 regretfully have to postpone the meeting in 2020 due to COVID-19. It is expected that the next cultural economics…
A VALUE-BASED APPROACH APPLIED TO PUBLIC BROADCASTERS
By Pawan V. Bhansing and Arjo Klamer Public broadcasters are in heavy weather because of changes in the media landscape. It is precisely these circumstances that make it important to…
ICCA 2020: CULTURAL POLICY, WHAT’S NEW?
By The Editorial Board The international symposium organised by LabEx ICCA on the topic of “Cultural Policies. What’s new?” took place 30 – 31 January 2020 in Paris. Organised in…
SIEC 2019: THE HAPPY FEW, ALBEIT FURTHER AND FURTHER AWAY
By Luis César Herrero-Prieto Those of us who practise and study in the field of cultural economics often find ourselves being called ‘the happy few’. It is true that there…
CULTURAL FESTIVALS: STATE OF THE ART AND NEW AVENUES OF RESEARCH
By Elisa Salvador Cultural Festivals are one of the most diffused examples of living production in all the fields of cultural and creative industries, attracting increasing attention in recent years….
EX-ANTE VS. EX-POST: A REASSESSMENT OF ECONOMIC IMPACT STUDIES IN ARTS AND CULTURE
By Andrej Srakar and Marilena Vecco The estimation of the economic effects of cultural events is a topic that has stirred numerous debates in cultural economics. Although economic impact studies…
THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?
By Hans Abbing Respect for art is high, also among those who do not consume serious art, though subsidy cuts testify of a decreasing respect for the “serious arts”. In…
HOW LIBRARY SERVICES HAVE ADAPTED TO NEW CHALLENGES?
By Anna Villarroya and Victoria Ateca-Amestoy Which transformations have libraries undergone in recent years? In this paper we claim that, due to new societal challenges and digitization, these institutions have…
EconomistsTalkArt.org wishes you happy holidays and a great new year 2019!
By The Editorial Team The Editorial Team of EconomistsTalkArt.org wishes you a happy start into the New Year! The blog started as an initiative of four young scholars in 2015….
TECHNOLOGICAL COMPETITION IN THE E-BOOK READERS’ MARKET
By Elisa Salvador and Pierre-Jean Benghozi The e-book revolution impacted all the phases of the traditional value chain of the book publishing sector, characterized by a secular business model. A…