Category: Films

April 1, 2024
EXAMINING THE POTENTIAL DISRUPTION FROM AD-SUPPORTED STREAMING SERVICES
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January 25, 2023
(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN
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December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT
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May 3, 2022
ASSERTING EMOTIONS FOR VIRTUAL REALITY: TOWARD EXPERIENCE SCORING
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February 15, 2022
GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD
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October 12, 2021
STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?
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May 11, 2021
BARGAINING OVER THE BALLET
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March 16, 2021
WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?
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December 8, 2020
“IN THE MOOD FOR TECHNOLOGY?”: DIGITAL AND CINEMA
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September 1, 2020
TESTING THE CULTURAL CAPITAL REPRODUCTION THEORY IN COLOMBIA
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March 31, 2020
LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT
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February 18, 2020
ICCA 2020: CULTURAL POLICY, WHAT’S NEW?
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October 1, 2019
FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION
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June 4, 2019
BOLLYWOOD’S BATTLE
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February 26, 2019
CULTURAL DIVERSITY OF THE FILM INDUSTRY IN THE EU
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December 4, 2018
CONSUMER AND EXPERT REVIEWS EFFECTS ON THE LENGTH OF TIME A FILM IS KEPT ON SCREENS
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