Category: Films

January 25, 2023

(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN

December 13, 2022

CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT

May 3, 2022

ASSERTING EMOTIONS FOR VIRTUAL REALITY: TOWARD EXPERIENCE SCORING

February 15, 2022

GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD

October 12, 2021

STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?

May 11, 2021

BARGAINING OVER THE BALLET

March 16, 2021

WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?

December 8, 2020

“IN THE MOOD FOR TECHNOLOGY?”: DIGITAL AND CINEMA

September 1, 2020

TESTING THE CULTURAL CAPITAL REPRODUCTION THEORY IN COLOMBIA

March 31, 2020

LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT

February 18, 2020

ICCA 2020: CULTURAL POLICY, WHAT’S NEW?

October 1, 2019

FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION

June 4, 2019

BOLLYWOOD’S BATTLE

February 26, 2019

CULTURAL DIVERSITY OF THE FILM INDUSTRY IN THE EU

December 4, 2018

CONSUMER AND EXPERT REVIEWS EFFECTS ON THE LENGTH OF TIME A FILM IS KEPT ON SCREENS

January 30, 2018

TWO INFORMATION AGGREGATION MECHANISMS FOR PREDICTING THE OPENING WEEKEND BOX OFFICE REVENUES OF FILMS