February 3, 2025
STREAMING’S UNEVEN TUNE: EXPLORING THE INEQUALITIES ON BANDCAMP MUSIC PLATFORM
January 20, 2025
NAVIGATING QUALITY SIGNALS IN THE WINE MARKET: EXPERTS VS. PEER REVIEWS
January 6, 2025
UNEQUAL NOTES: HUMAN CAPITAL AND THE GENDER GAP AMONG COMPOSERS
December 9, 2024
EWACE 2024
November 25, 2024
DOES THE ACCUMULATION OF CREATIVE CAPITAL INFLUENCE THE COMPETITIVENESS OF THE TOURISM SECTOR IN EUROPEAN REGIONS?
October 15, 2024
HOW IMPORTANT IS THE TOUCH WHEN YOU LISTEN TO MUSIC? AN INVESTIGATION ON THE CENTRALITY OF TACTILE VALUE IN LIVE MUSIC EVENTS
October 1, 2024
JUST INSTRUMENTAL TO COMPANIES’ NEEDS? CORPORATE MUSEUMS IN COMPARATIVE PERSPECTIVE
September 16, 2024
CULTURAL ECONOMISTS’ PRESENTATIONS AND REFLECTIONS ON ICCPR2024, THE INTERNATIONAL CONFERENCE ON CULTURAL POLICY RESEARCH
April 29, 2024
RETHINKING MUSIC STREAMING ROYALTIES – HOW DO WE BETTER ALIGN CONSUMER VALUE AND ARTIST PAYMENTS?
April 15, 2024
CULTURAL CAPITAL EXTERNALITIES
April 1, 2024
EXAMINING THE POTENTIAL DISRUPTION FROM AD-SUPPORTED STREAMING SERVICES
March 5, 2024
ASSESSING THE OPINIONS OF EXPERTS AND NON-EXPERTS THROUGHT THE LENS OF INTERNATIONAL CLASSICAL MUSIC COMPETITIONS
February 20, 2024
WHY THE IMPRESSIONISTS DID NOT CREATE IMPRESSIONISM
November 29, 2023
WHAT DRIVES OR HINDERS SUSTAINABLE FASHION CONSUMPTION?
October 3, 2023
LIFE AFTER DEATH – THE EFFECTS OF ARTIST’S DEATH ON EXHIBITIONS AND AUCTIONS
September 19, 2023
FURTHER ON THE SAD PRODUCTION FUNCTION FOR MUSIC