December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT
November 29, 2022
MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE
November 15, 2022
COMPARATIVE STUDY OF EUROPEAN POLICIES FOR ETHICAL MUSEUM FUNDRAISING
November 1, 2022
THE VALUE-BASED APPROACH TO ECONOMICS WORKSHOP
October 4, 2022
URBAN CULTURAL VIBRANCY AS A CONTRIBUTOR TO LOCAL DEVELOPMENT AND THE FUNDAMENTAL ROLE OF TERRITORIAL CONTEXT CONDITIONS
June 14, 2022
UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION
May 31, 2022
THE BEHAVIOURAL ECONOMICS OF CULTURE
April 12, 2022
INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES
March 29, 2022
DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE
March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE
March 1, 2022
GEOGRAPHIES OF FLOWERS AND FLOWER POWER: DO ARTS AND ECOLOGY AFFECT POLITICAL BEHAVIOR?
February 15, 2022
GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD
February 1, 2022
REALITY VS. EXPECTATIONS: WHY WOULD ARTISTS FAVOUR FREE STREAMING?
January 18, 2022
WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450
January 4, 2022
LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR
December 21, 2021
BANDING TOGETHER: NEW COOPERATIVE SOLUTIONS TO PERENNIAL ECONOMIC PROBLEMS