April 15, 2024
CULTURAL CAPITAL EXTERNALITIES
April 1, 2024
EXAMINING THE POTENTIAL DISRUPTION FROM AD-SUPPORTED STREAMING SERVICES
March 5, 2024
ASSESSING THE OPINIONS OF EXPERTS AND NON-EXPERTS THROUGHT THE LENS OF INTERNATIONAL CLASSICAL MUSIC COMPETITIONS
February 20, 2024
WHY THE IMPRESSIONISTS DID NOT CREATE IMPRESSIONISM
November 29, 2023
WHAT DRIVES OR HINDERS SUSTAINABLE FASHION CONSUMPTION?
October 3, 2023
LIFE AFTER DEATH – THE EFFECTS OF ARTIST’S DEATH ON EXHIBITIONS AND AUCTIONS
September 19, 2023
FURTHER ON THE SAD PRODUCTION FUNCTION FOR MUSIC
September 6, 2023
STUDENT LOAN DEBT AND AMERICAN ARTS GRADUATES: POLICY AND PERSPECTIVES
June 5, 2023
BUSINESS MODELS OF CONTEMPORARY ART GALLERIES AND ART FAIR INFLUENCE: A THEMATIC SYNTHESIS OF THE LITERATURE
May 2, 2023
REALIZING THE VALUES OF ART. MAKING SPACE FOR CULTURAL CIVIL SOCIETY
April 4, 2023
THE GENDER PAY GAP IN THE MARKET FOR VISUAL ART IN GERMANY: INSIGHTS FROM AN EMPIRICAL STUDY
March 21, 2023
CULTURAL VALUES AND THEIR REALIZATION: A VALUE-BASED APPROACH
February 22, 2023
HOW DOES URBAN VIOLENCE IMPACT CHOICES OF CULTURAL PARTICIPATION?
December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT
November 29, 2022
MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE
November 15, 2022
COMPARATIVE STUDY OF EUROPEAN POLICIES FOR ETHICAL MUSEUM FUNDRAISING