Category: Cultural and Creative Industries

July 14, 2026
WHY SPOTIFY MIGHT WORK BETTER IF IT WERE WORSE AT ITS JOB
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June 15, 2026
THE TRADE BETWEEN US: BARRIERS AND PREDICTORS FOR EXPORTS OF CULTURAL GOODS FROM CHILE
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April 21, 2026
CREATIVE WORK IN THE AGE OF GENERATIVE AI: EARLY LABOR MARKET SIGNALS
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March 10, 2026
ASYMMETRIC CULTURAL GLOBALIZATION, TOP PERFORMERS’ INCOME AND INEQUALITY
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September 23, 2025
WHO GETS COUNTED AS AN ARTIST? EVIDENCE FROM A GUARANTEED INCOME PROGRAM
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April 28, 2025
THE ECONOMICS OF FINE DINING: WHAT DRIVES RESTAURANT SUCCESS?
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November 25, 2024
DOES THE ACCUMULATION OF CREATIVE CAPITAL INFLUENCE THE COMPETITIVENESS OF THE TOURISM SECTOR IN EUROPEAN REGIONS?
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October 15, 2024
HOW IMPORTANT IS THE TOUCH WHEN YOU LISTEN TO MUSIC? AN INVESTIGATION ON THE CENTRALITY OF TACTILE VALUE IN LIVE MUSIC EVENTS
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July 8, 2024
AIMAC 2024 Post for Economists Talk Art Blog
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June 10, 2024
SONGS OF OPTIMISM FOR TROUBLED TIMES: MUSIC PREFERENCES AMID SOCIO-ECONOMIC CHALLENGES
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May 28, 2024
WHAT ARE NETWORKS FOR? UNDERSTANDING CULTURAL TRANSNATIONAL NETWORKS IN THE EU
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April 15, 2024
CULTURAL CAPITAL EXTERNALITIES
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April 25, 2023
RISKY TRADE? APPROPRIATION ART, COPYRIGHT AND SECONDARY MARKET EFFECTS
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March 21, 2023
CULTURAL VALUES AND THEIR REALIZATION: A VALUE-BASED APPROACH
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February 8, 2023
INNOVATION IN CULTURAL MANAGEMENT (“La Innovación en la Gestión de la Cultura”)
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December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT
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