November 25, 2024
DOES THE ACCUMULATION OF CREATIVE CAPITAL INFLUENCE THE COMPETITIVENESS OF THE TOURISM SECTOR IN EUROPEAN REGIONS?
October 15, 2024
HOW IMPORTANT IS THE TOUCH WHEN YOU LISTEN TO MUSIC? AN INVESTIGATION ON THE CENTRALITY OF TACTILE VALUE IN LIVE MUSIC EVENTS
July 8, 2024
AIMAC 2024 Post for Economists Talk Art Blog
June 10, 2024
SONGS OF OPTIMISM FOR TROUBLED TIMES: MUSIC PREFERENCES AMID SOCIO-ECONOMIC CHALLENGES
May 28, 2024
WHAT ARE NETWORKS FOR? UNDERSTANDING CULTURAL TRANSNATIONAL NETWORKS IN THE EU
April 15, 2024
CULTURAL CAPITAL EXTERNALITIES
April 25, 2023
RISKY TRADE? APPROPRIATION ART, COPYRIGHT AND SECONDARY MARKET EFFECTS
March 21, 2023
CULTURAL VALUES AND THEIR REALIZATION: A VALUE-BASED APPROACH
February 8, 2023
INNOVATION IN CULTURAL MANAGEMENT (“La Innovación en la Gestión de la Cultura”)
December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT
October 18, 2022
CREATIVE INDUSTRIES AND DIGITAL TRANSFORMATION IN CHINA
October 4, 2022
URBAN CULTURAL VIBRANCY AS A CONTRIBUTOR TO LOCAL DEVELOPMENT AND THE FUNDAMENTAL ROLE OF TERRITORIAL CONTEXT CONDITIONS
May 3, 2022
ASSERTING EMOTIONS FOR VIRTUAL REALITY: TOWARD EXPERIENCE SCORING
April 12, 2022
INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES
March 29, 2022
DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE
February 1, 2022