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THE ECONOMIC IMPACT OF UNESCO WORLD HERITAGE DESIGNATIONS: EVIDENCE FROM ITALY

April 4, 2023
THE GENDER PAY GAP IN THE MARKET FOR VISUAL ART IN GERMANY: INSIGHTS FROM AN EMPIRICAL STUDY

January 10, 2023
COUNTERACTING HATE BY ENCOURAGING PARTICIPATION IN CULTURAL ACTIVITIES

September 20, 2022
10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY

April 12, 2022
INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES

March 29, 2022
DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE

February 16, 2021
BRACE YOURSELVES, PIRATES ARE COMING! THE EFFECTS OF GAME OF THRONES LEAK ON TV VIEWERSHIP

January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN

December 24, 2019
TOO HEAVILY TAXED TO AFFORD IT? VAT AND CULTURAL GOODS

December 10, 2019
MORE THAN A GOOD BOOK: CONTINGENT VALUATION OF PUBLIC LIBRARY SERVICES IN ENGLAND

November 12, 2019
EX-ANTE VS. EX-POST: A REASSESSMENT OF ECONOMIC IMPACT STUDIES IN ARTS AND CULTURE

October 1, 2019
FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION

June 18, 2019
DOES BELONGING TO AN ARTISTIC MOVEMENT MAKE BETTER-SELLING ARTISTS?

June 4, 2019
BOLLYWOOD’S BATTLE

March 12, 2019
MEASURING EMOTION THROUGH QUALITY IN SYMPHONY ORCHESTRAS

February 26, 2019