Category: Attendance and Participation

February 22, 2023
HOW DOES URBAN VIOLENCE IMPACT CHOICES OF CULTURAL PARTICIPATION?
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January 25, 2023
(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN
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January 10, 2023
COUNTERACTING HATE BY ENCOURAGING PARTICIPATION IN CULTURAL ACTIVITIES
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December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT
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November 29, 2022
MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE
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October 4, 2022
URBAN CULTURAL VIBRANCY AS A CONTRIBUTOR TO LOCAL DEVELOPMENT AND THE FUNDAMENTAL ROLE OF TERRITORIAL CONTEXT CONDITIONS
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September 20, 2022
10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY
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June 14, 2022
UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION
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March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE
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February 15, 2022
GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD
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January 4, 2022
LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR
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October 12, 2021
STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?
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June 8, 2021
UNDERSTANDING DIFFERENCES IN DONATIONS TO CULTURAL HERITAGE
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May 11, 2021
BARGAINING OVER THE BALLET
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September 1, 2020
TESTING THE CULTURAL CAPITAL REPRODUCTION THEORY IN COLOMBIA
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July 7, 2020
DOES MUSIC SOOTHE THE SOUL?
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