
February 8, 2023
INNOVATION IN CULTURAL MANAGEMENT (“La Innovación en la Gestión de la Cultura”)

October 18, 2022
CREATIVE INDUSTRIES AND DIGITAL TRANSFORMATION IN CHINA

October 12, 2021
STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?

December 8, 2020
“IN THE MOOD FOR TECHNOLOGY?”: DIGITAL AND CINEMA

November 10, 2020
ARE INTERNSHIPS IN THE CULTURAL INDUSTRY (UN)FAIR? A STUDY OF THE DEMAND SIDE

October 27, 2020
WHAT EDITORS TALK ABOUT WHEN THEY TALK ABOUT EDITORS? AN ANALYSIS OF PUBLIC INTERVIEWS SEARCHING FOR MARKET AND AESTHETIC LOGICS

July 21, 2020
CREATIVE INDUSTRIES AND THE COVID-19 PANDEMIC – CALL FOR CHAPTERS

July 7, 2020
DOES MUSIC SOOTHE THE SOUL?

June 23, 2020
THE USE OF IRONIC HUMOR IN FESTIVAL BRANDING

June 2, 2020
POLICING ART CRIME

April 29, 2020
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES

April 14, 2020
UNDERSTANDING INSTITUTIONAL LOGICS AND INSTITUTIONAL WORK PRACTICES IN FESTIVALS: LUCCA COMICS AND GAMES

January 7, 2020
CULTURAL FESTIVALS: STATE OF THE ART AND NEW AVENUES OF RESEARCH

July 2, 2019
HOW TO GET RID OF TICKET BOTS?

April 9, 2019
ACCOUNTING FOR HERITAGE ASSETS

May 9, 2018