July 8, 2024
AIMAC 2024 Post for Economists Talk Art Blog
March 20, 2024
THE EVOLVING PLACE OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICIES ORIENTATION: SOME LESSONS FROM THE COMMUNICATIONS OF THE EUROPEAN COMMISSION?
January 23, 2024
MEASURING THE IMPACT OF ARTISTIC INNOVATION ON SUSTAINABLE DEVELOPMENT
October 31, 2023
DISCREPANCY IN OBJECTIVES WITHIN THE PRODUCTION CHAIN OF HERITAGE WORKS IN VIRTUAL REALITY
June 23, 2023
CULTURE OF PHILANTHROPY: A LEVER OF ACTIVE CITIZENSHIP OF ARTS ORGANIZATIONS
February 8, 2023
INNOVATION IN CULTURAL MANAGEMENT (“La Innovación en la Gestión de la Cultura”)
October 18, 2022
CREATIVE INDUSTRIES AND DIGITAL TRANSFORMATION IN CHINA
October 12, 2021
STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?
December 8, 2020
“IN THE MOOD FOR TECHNOLOGY?”: DIGITAL AND CINEMA
November 10, 2020
ARE INTERNSHIPS IN THE CULTURAL INDUSTRY (UN)FAIR? A STUDY OF THE DEMAND SIDE
October 27, 2020
WHAT EDITORS TALK ABOUT WHEN THEY TALK ABOUT EDITORS? AN ANALYSIS OF PUBLIC INTERVIEWS SEARCHING FOR MARKET AND AESTHETIC LOGICS
July 21, 2020
CREATIVE INDUSTRIES AND THE COVID-19 PANDEMIC – CALL FOR CHAPTERS
July 7, 2020
DOES MUSIC SOOTHE THE SOUL?
June 23, 2020
THE USE OF IRONIC HUMOR IN FESTIVAL BRANDING
June 2, 2020
POLICING ART CRIME
April 29, 2020
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES