Category: Art Markets

February 20, 2024
WHY THE IMPRESSIONISTS DID NOT CREATE IMPRESSIONISM
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October 3, 2023
LIFE AFTER DEATH – THE EFFECTS OF ARTIST’S DEATH ON EXHIBITIONS AND AUCTIONS
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June 5, 2023
BUSINESS MODELS OF CONTEMPORARY ART GALLERIES AND ART FAIR INFLUENCE: A THEMATIC SYNTHESIS OF THE LITERATURE
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April 25, 2023
RISKY TRADE? APPROPRIATION ART, COPYRIGHT AND SECONDARY MARKET EFFECTS
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April 4, 2023
THE GENDER PAY GAP IN THE MARKET FOR VISUAL ART IN GERMANY: INSIGHTS FROM AN EMPIRICAL STUDY
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November 23, 2021
ANONYMOUS ART AT AUCTION: LOOKING AT THE “UNBRANDED” AND THE “OUTDATED”
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September 29, 2020
TOOLS FOR THE FUTURE IN LJUBLJANA, RESEARCHING ART MARKETS AND GLOBAL SCIENTIFIC “ONLINE” TURMOIL
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June 2, 2020
POLICING ART CRIME
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January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN
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October 15, 2019
THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?
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September 3, 2019
LEONARDO IN LIMBO: AN ECONOMIC EVALUATION
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June 18, 2019
DOES BELONGING TO AN ARTISTIC MOVEMENT MAKE BETTER-SELLING ARTISTS?
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January 1, 2019
IS THERE A ROLE FOR THE ARTIST IN THE FORMATION OF VALUE?
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October 9, 2018
THE PRICE OF A NAME: ART MARKET VALUATION OF PROVISIONAL NAMES (“THE MASTER OF …”)
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January 16, 2018
ARE THEY ALL THE SAME? A CASE STUDY OF THREE AUSTRALIAN INDIGENOUS ARTISTS
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November 21, 2017
AWFULLY BEAUTIFUL? I REALLY LIKE THIS ARTWORK, IF I AM NOT MISTAKEN
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