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ANONYMOUS ART AT AUCTION: LOOKING AT THE “UNBRANDED” AND THE “OUTDATED”
September 29, 2020
TOOLS FOR THE FUTURE IN LJUBLJANA, RESEARCHING ART MARKETS AND GLOBAL SCIENTIFIC “ONLINE” TURMOIL
June 2, 2020
POLICING ART CRIME
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THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN
October 15, 2019
THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?
September 3, 2019
LEONARDO IN LIMBO: AN ECONOMIC EVALUATION
June 18, 2019
DOES BELONGING TO AN ARTISTIC MOVEMENT MAKE BETTER-SELLING ARTISTS?
January 1, 2019
IS THERE A ROLE FOR THE ARTIST IN THE FORMATION OF VALUE?
October 9, 2018
THE PRICE OF A NAME: ART MARKET VALUATION OF PROVISIONAL NAMES (“THE MASTER OF …”)
January 16, 2018
ARE THEY ALL THE SAME? A CASE STUDY OF THREE AUSTRALIAN INDIGENOUS ARTISTS
November 21, 2017
AWFULLY BEAUTIFUL? I REALLY LIKE THIS ARTWORK, IF I AM NOT MISTAKEN
January 10, 2017
VOLATILITY OF PRICE INDICES FOR HETEROGENEOUS GOODS WITH APPLICATIONS TO THE FINE ART MARKET
June 28, 2016
A HISTORY OF THE ART MARKET IN 35 RECORD-BREAKING SALES