THE KNOWLEDGE CLUB: NEW BUSINESS MODEL
By Redaction Maybe we’ve been thinking about science all wrong. In the old model, knowledge was privately produced, then ‘communicated’ to make it a public good. Journals did the communicating….
By Redaction Maybe we’ve been thinking about science all wrong. In the old model, knowledge was privately produced, then ‘communicated’ to make it a public good. Journals did the communicating….
By Elisabetta Lazzaro and Carlofilippo Frateschi How can we measure the value of arts activities and practices taking into account individuals’ interactions? Is there a difference between participating in the…
By Ruth Towse What are the relative roles of copyright law and market forces, especially when they are altered by disruptive technologies? The paper takes an historical approach to the…
By Tiziana Cuccia and Ilde Rizzo Cultural producers adopt different strategies to cope with the effects of the great recession and differentiate the sources of their funds. Looking at a…
By Martin Falk and Tally Katz-Gerro Are there significant cross-country differences in the frequency of visits to cultural sites? Are the socio-demographic and economic correlates of visits to cultural sites…
By Erwin Dekker Products are more and more differentiated, and qualitative differences between products are ever more important. What does that imply for the way we study markets? And do…
By Gillian Doyle Nowadays more content is accessible, in more formats, on more devices, for more people than ever before. But, as media companies make the journey from being single…