
March 3, 2025
ARE ART COLLECTORS VENTURE CAPITALISTS?

October 1, 2024
JUST INSTRUMENTAL TO COMPANIES’ NEEDS? CORPORATE MUSEUMS IN COMPARATIVE PERSPECTIVE

July 8, 2024
AIMAC 2024 Post for Economists Talk Art Blog

February 8, 2023
INNOVATION IN CULTURAL MANAGEMENT (“La Innovación en la Gestión de la Cultura”)

November 15, 2022
COMPARATIVE STUDY OF EUROPEAN POLICIES FOR ETHICAL MUSEUM FUNDRAISING

October 18, 2022
CREATIVE INDUSTRIES AND DIGITAL TRANSFORMATION IN CHINA

December 7, 2021
ENTREPRENEURIAL ECOSYSTEM FRAMEWORKS FOR THE STUDY OF CULTURAL AND CREATIVE INDUSTRIES: THE CASE OF PORTO

December 22, 2020
CULTURAL HERITAGE AND NATURAL DISASTERS: THE INSURANCE CHOICE OF THE ITALIAN CATHEDRALS

July 21, 2020
CREATIVE INDUSTRIES AND THE COVID-19 PANDEMIC – CALL FOR CHAPTERS

April 29, 2020
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES

March 17, 2020
THE “PARSIMONIOUS” CONDUCTOR? HOW ORCHESTRAS’ DISCIPLINE PREVENTS CONDUCTORS TO OVER-LEAD

April 9, 2019
ACCOUNTING FOR HERITAGE ASSETS

March 12, 2019
MEASURING EMOTION THROUGH QUALITY IN SYMPHONY ORCHESTRAS

May 22, 2018
MULTIPLE ROADS TO BECOME SUCCESSFUL AS A DESIGNER

May 9, 2018
DOUBLE JEOPARDY – MORE FLEXIBLE SUBSCRIPTION TICKETS AND HIGHER TICKET PRICES

February 27, 2018