(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN
Three years ago in December 2020, while individuals in the western World were entering the festive season, media accounts had started reporting news of an infection spreading in China –…
Author: trilcenavarrete
Posts by trilcenavarrete
COUNTERACTING HATE BY ENCOURAGING PARTICIPATION IN CULTURAL ACTIVITIES
Hate has a devastating impact on victims and society. Targets experience vulnerability and anxiety, with consequences also on their social and working life. Also, hate harm people belonging to the…
10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY
By Association for Cultural Economics Poland The European Workshop on Applied Cultural Economics (EWACE) returns to northern Italy to celebrate its 10th anniversary. Originally organised by Roberto Zanola (University of…
A PARADIGMATIC CHANGE IN FINANCE AND FUNDING IN THE CULTURAL AND CREATIVE INDUSTRIES
By Ellen Loots, Diana Betzler, Trine Bille, Karol Jan Borowiecki, and Boram Lee The special issue New Forms of Finance and Funding in the Cultural and Creative Industries of the…
UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION
By Enrico Bertacchini and Francesco Puletti From the ashes of the creative city paradigm, there is a growing awareness of the urban creative economy as a complex adaptive system of…
DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE
By Michela Giorcelli and Petra Moser Copyrights establish intellectual property rights in creative goods, from literature and science to images, film, and music. This work shows that the introduction of…
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE
By Staffan Albinsson Ambitions for social inclusion have guided the publicly funded opera houses and symphony orchestras since the early twentieth century. However, this explicit policy goal has not influenced…
GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD
By Shi Qi and Tin Cheuk (Tommy) Leung What has caused the influx of superheroes such as The Avengers and The Justice League in Hollywood in recent years? Leung and…
WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450
By Karol Jan Borowiecki Ideas are fundamental for the production of any creative output, whether in the arts, science or business. However, because ideas are so elusive, little is known…
LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR
By María José del Barrio Tellado and Luis César Herrero Prieto Economic studies exploring dance have proliferated enormously recently, although they have failed to receive as much attention as other…
EconomistsTalkArt wishes you a happy holiday and a great new year 2022 !
By the Editorial Team We are grateful to all the researchers who have shared their excellent work through our blog, enabling us to bring you 141 inspiring contributions on the…
BANDING TOGETHER: NEW COOPERATIVE SOLUTIONS TO PERENNIAL ECONOMIC PROBLEMS
By Amy Whitaker and Amber He Arts organizations can access economies of scope, overcoming some of the key challenges in managing costs, sharing risk, and accessing capital. These advantages of…
ENTREPRENEURIAL ECOSYSTEM FRAMEWORKS FOR THE STUDY OF CULTURAL AND CREATIVE INDUSTRIES: THE CASE OF PORTO
By Miguel Neiva and Ellen Loots The ‘ecosystem’ notion is finding its way in the economic, management and policy literatures. In fact, in entrepreneurship, the entrepreneurial ecosystem is a well…
DOES THE ATTRACTIVENESS OF THE DANCER MATTER IN MODERN DANCE?
By Rachel Lau and Brooke Krause Audience members are willing to spend more time watching modern dance, and pay more for tickets, when they consider the dancers more attractive….
CULTURAL ENTREPRENEURSHIP: UNDERSTANDING THE MARKET FOR MEANING
By Yu-Yu Chang, Jason Potts, and Hui-Yu Shih Cultural commodities, whether goods or services, are vehicles for conveying cultural and creative content. Consumers perceive value in these goods or services…
STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?
By Allègre L. Hadida, Joseph Lampel, W. David Walls and Amit Joshi The battle between traditional Hollywood studios and streaming services like Netflix is a matter of “institutional logics” – commitment…