
January 25, 2023
(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN

June 14, 2022
UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION

March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE

January 4, 2022
LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR

June 22, 2021
BEYOND THE REALM OF CASH: STREET PERFORMERS AND DONATIONS IN THE ONLINE WORLD

May 25, 2021
DO MUSEUMS FOSTER INNOVATION THROUGH ENGAGEMENT WITH THE CULTURAL AND CREATIVE INDUSTRIES?

May 11, 2021
BARGAINING OVER THE BALLET

March 16, 2021
WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?

September 1, 2020
TESTING THE CULTURAL CAPITAL REPRODUCTION THEORY IN COLOMBIA

July 7, 2020
DOES MUSIC SOOTHE THE SOUL?

December 18, 2018
MACHINE LEARNING TO UNCOVER DIFFERENCES IN WILLINGNESS-TO-PAY FOR THEATRE TICKETS

May 9, 2018
DOUBLE JEOPARDY – MORE FLEXIBLE SUBSCRIPTION TICKETS AND HIGHER TICKET PRICES

October 24, 2017
DOMINANT AND DOMINATED POSITIONS IN THE CO-PRODUCTION NETWORK OF THEATRE COMPANIES IN ITALY’S CAMPANIA REGION

January 24, 2017