Economists Talk Art


Research-based policy analysis and commentary

January 25, 2023
(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN

January 10, 2023
COUNTERACTING HATE BY ENCOURAGING PARTICIPATION IN CULTURAL ACTIVITIES

December 27, 2022
ECONOMISTS TALK ART WISHES YOU A HAPPY HOLIDAY AND A WONDERFUL NEW 2023

December 13, 2022
CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT

November 29, 2022
MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE

November 15, 2022
COMPARATIVE STUDY OF EUROPEAN POLICIES FOR ETHICAL MUSEUM FUNDRAISING

November 1, 2022
THE VALUE-BASED APPROACH TO ECONOMICS WORKSHOP

October 18, 2022
CREATIVE INDUSTRIES AND DIGITAL TRANSFORMATION IN CHINA

October 4, 2022
URBAN CULTURAL VIBRANCY AS A CONTRIBUTOR TO LOCAL DEVELOPMENT AND THE FUNDAMENTAL ROLE OF TERRITORIAL CONTEXT CONDITIONS

September 20, 2022
10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY

June 28, 2022
A PARADIGMATIC CHANGE IN FINANCE AND FUNDING IN THE CULTURAL AND CREATIVE INDUSTRIES

June 14, 2022
UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION

May 31, 2022
THE BEHAVIOURAL ECONOMICS OF CULTURE

May 3, 2022
ASSERTING EMOTIONS FOR VIRTUAL REALITY: TOWARD EXPERIENCE SCORING

April 12, 2022
INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES

March 29, 2022
DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE

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