Economists Talk Art

Research-based policy analysis and commentary

January 25, 2023

(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN

January 10, 2023

COUNTERACTING HATE BY ENCOURAGING PARTICIPATION IN CULTURAL ACTIVITIES

December 27, 2022

ECONOMISTS TALK ART WISHES YOU A HAPPY HOLIDAY AND A WONDERFUL NEW 2023

December 13, 2022

CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT

November 29, 2022

MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE

November 15, 2022

COMPARATIVE STUDY OF EUROPEAN POLICIES FOR ETHICAL MUSEUM FUNDRAISING

November 1, 2022

THE VALUE-BASED APPROACH TO ECONOMICS WORKSHOP

October 18, 2022

CREATIVE INDUSTRIES AND DIGITAL TRANSFORMATION IN CHINA

October 4, 2022

URBAN CULTURAL VIBRANCY AS A CONTRIBUTOR TO LOCAL DEVELOPMENT AND THE FUNDAMENTAL ROLE OF TERRITORIAL CONTEXT CONDITIONS

September 20, 2022

10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY

June 28, 2022

A PARADIGMATIC CHANGE IN FINANCE AND FUNDING IN THE CULTURAL AND CREATIVE INDUSTRIES

June 14, 2022

UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION

May 31, 2022

THE BEHAVIOURAL ECONOMICS OF CULTURE

May 3, 2022

ASSERTING EMOTIONS FOR VIRTUAL REALITY: TOWARD EXPERIENCE SCORING

April 12, 2022

INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES

March 29, 2022

DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE

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