February 22, 2023
HOW DOES URBAN VIOLENCE IMPACT CHOICES OF CULTURAL PARTICIPATION?
January 25, 2023
(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN
March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE
March 1, 2022
GEOGRAPHIES OF FLOWERS AND FLOWER POWER: DO ARTS AND ECOLOGY AFFECT POLITICAL BEHAVIOR?
September 14, 2021
THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992
February 2, 2021
CULTURAL HERITAGE AND LOCAL DEVELOPMENT IN A TERRITORIAL CAPITAL CONCEPTUAL FRAMEWORK
January 19, 2021
MUSEUM FUNDING IN TIMES OF COVID-19 CRISIS
December 22, 2020
CULTURAL HERITAGE AND NATURAL DISASTERS: THE INSURANCE CHOICE OF THE ITALIAN CATHEDRALS
July 21, 2020
CREATIVE INDUSTRIES AND THE COVID-19 PANDEMIC – CALL FOR CHAPTERS
July 7, 2020
DOES MUSIC SOOTHE THE SOUL?
June 9, 2020
EFFECTS OF COVID-19 IN BRAZILIAN CULTURAL ECONOMICS
April 29, 2020
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES
December 24, 2019
TOO HEAVILY TAXED TO AFFORD IT? VAT AND CULTURAL GOODS
November 12, 2019
EX-ANTE VS. EX-POST: A REASSESSMENT OF ECONOMIC IMPACT STUDIES IN ARTS AND CULTURE
May 7, 2019
CAN WE MEASURE CULTURE IN CITIES?
April 23, 2019
HOW LIBRARY SERVICES HAVE ADAPTED TO NEW CHALLENGES?