September 16, 2024
CULTURAL ECONOMISTS’ PRESENTATIONS AND REFLECTIONS ON ICCPR2024, THE INTERNATIONAL CONFERENCE ON CULTURAL POLICY RESEARCH
May 28, 2024
WHAT ARE NETWORKS FOR? UNDERSTANDING CULTURAL TRANSNATIONAL NETWORKS IN THE EU
March 20, 2024
THE EVOLVING PLACE OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICIES ORIENTATION: SOME LESSONS FROM THE COMMUNICATIONS OF THE EUROPEAN COMMISSION?
September 6, 2023
STUDENT LOAN DEBT AND AMERICAN ARTS GRADUATES: POLICY AND PERSPECTIVES
August 22, 2023
THE DECREASE IN LIFE-SATISFACTION FOR CULTURAL CONSUMERS DURING THE COVID-19 PANDEMIC
February 22, 2023
HOW DOES URBAN VIOLENCE IMPACT CHOICES OF CULTURAL PARTICIPATION?
January 25, 2023
(H)OM(E)NIBUS CULTURE AT A TIME OF LOCKDOWN
March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE
March 1, 2022
GEOGRAPHIES OF FLOWERS AND FLOWER POWER: DO ARTS AND ECOLOGY AFFECT POLITICAL BEHAVIOR?
September 14, 2021
THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992
February 2, 2021
CULTURAL HERITAGE AND LOCAL DEVELOPMENT IN A TERRITORIAL CAPITAL CONCEPTUAL FRAMEWORK
January 19, 2021
MUSEUM FUNDING IN TIMES OF COVID-19 CRISIS
December 22, 2020
CULTURAL HERITAGE AND NATURAL DISASTERS: THE INSURANCE CHOICE OF THE ITALIAN CATHEDRALS
July 21, 2020
CREATIVE INDUSTRIES AND THE COVID-19 PANDEMIC – CALL FOR CHAPTERS
July 7, 2020
DOES MUSIC SOOTHE THE SOUL?
June 9, 2020
EFFECTS OF COVID-19 IN BRAZILIAN CULTURAL ECONOMICS