February 3, 2025
STREAMING’S UNEVEN TUNE: EXPLORING THE INEQUALITIES ON BANDCAMP MUSIC PLATFORM
October 15, 2024
HOW IMPORTANT IS THE TOUCH WHEN YOU LISTEN TO MUSIC? AN INVESTIGATION ON THE CENTRALITY OF TACTILE VALUE IN LIVE MUSIC EVENTS
June 10, 2024
SONGS OF OPTIMISM FOR TROUBLED TIMES: MUSIC PREFERENCES AMID SOCIO-ECONOMIC CHALLENGES
April 29, 2024
RETHINKING MUSIC STREAMING ROYALTIES – HOW DO WE BETTER ALIGN CONSUMER VALUE AND ARTIST PAYMENTS?
March 5, 2024
ASSESSING THE OPINIONS OF EXPERTS AND NON-EXPERTS THROUGHT THE LENS OF INTERNATIONAL CLASSICAL MUSIC COMPETITIONS
November 29, 2022
MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE
March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE
January 18, 2022
WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450
September 14, 2021
THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992
May 25, 2021
