By Karol Jan Borowiecki Ideas are fundamental for the production of any creative output, whether in the arts, science or business. However, because ideas are so elusive, little is known…
By María José del Barrio Tellado and Luis César Herrero Prieto Economic studies exploring dance have proliferated enormously recently, although they have failed to receive as much attention as other…
By the Editorial Team We are grateful to all the researchers who have shared their excellent work through our blog, enabling us to bring you 141 inspiring contributions on the…
By Amy Whitaker and Amber He Arts organizations can access economies of scope, overcoming some of the key challenges in managing costs, sharing risk, and accessing capital. These advantages of…
By Miguel Neiva and Ellen Loots The ‘ecosystem’ notion is finding its way in the economic, management and policy literatures. In fact, in entrepreneurship, the entrepreneurial ecosystem is a well…
By Rachel Lau and Brooke Krause Audience members are willing to spend more time watching modern dance, and pay more for tickets, when they consider the dancers more attractive….
By Yu-Yu Chang, Jason Potts, and Hui-Yu Shih Cultural commodities, whether goods or services, are vehicles for conveying cultural and creative content. Consumers perceive value in these goods or services…
By Allègre L. Hadida, Joseph Lampel, W. David Walls and Amit Joshi The battle between traditional Hollywood studios and streaming services like Netflix is a matter of “institutional logics” – commitment…
By Sabrina Pedrini and Pier Luigi Sacco The creative industries have been regarded, for many years, as the soul of urban development. Among these, the music industry is particularly vibrant…
By Meg Elkins and Tim R.L. Fry The exchange for money between street performers and audiences is a changing landscape. Using unique data from an online platform The Busking Project…
By Victoria Ateca-Amestoy and Arantza Gorostiaga Cultural participation can engage in cultural heritage beyond visits to includes donating their money and their time to cultural heritage organisations. The participant’s philanthropic…
By Chiara Dalle Nogare and Monika Murzyn-Kupisz The recent narrative on museums as catalysts of innovation considers their relations with other cultural and creative industries to be very important. To…
By Caterina Mauri and Alexander Wolf Women and men in couples enjoy shared leisure activities. When their preferences are not aligned, they implicitly (or explicitly) bargain over their arts consumption….
By Massimo Finocchiaro Castro, Isidoro Mazza and Domenica Romeo To what extent do cultural goods contribute to increase society’s level of cultural capital? Greater satisfaction for cultural goods consumption and…
By Enrico Bertacchini, Alessandra Venturini and Roberto Zotti Migration has become in the last decades one of the most overarching phenomena at the global level. Much of the academic and…
By Emanuela Macrì, Valeria Morea and Michele Trimarchi The recent urban experience reveals the growing importance of commons as a complex and often conflictual phenomenon where shared cultural practices are…