THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992

By Sabrina Pedrini and Pier Luigi Sacco The creative industries have been regarded, for many years, as the soul of urban development. Among these, the music industry is particularly vibrant…

UNDERSTANDING DIFFERENCES IN DONATIONS TO CULTURAL HERITAGE

By Victoria Ateca-Amestoy and Arantza Gorostiaga Cultural participation can engage in cultural heritage beyond visits to includes donating their money and their time to cultural heritage organisations. The participant’s philanthropic…

DO MUSEUMS FOSTER INNOVATION THROUGH ENGAGEMENT WITH THE CULTURAL AND CREATIVE INDUSTRIES?

By Chiara Dalle Nogare and Monika Murzyn-Kupisz The recent narrative on museums as catalysts of innovation considers their relations with other cultural and creative industries to be very important. To…

BARGAINING OVER THE BALLET

By Caterina Mauri and Alexander Wolf Women and men in couples enjoy shared leisure activities. When their preferences are not aligned, they implicitly (or explicitly) bargain over their arts consumption….

THE ROLE OF CULTURAL CAPITAL ON THE VOLUNTARY CONTRIBUTIONS TO CULTURAL GOODS: A DIFFERENTIAL GAME APPROACH

By Massimo Finocchiaro Castro, Isidoro Mazza and Domenica Romeo To what extent do cultural goods contribute to increase society’s level of cultural capital? Greater satisfaction for cultural goods consumption and…

CULTURAL HERITAGE AND LOCAL DEVELOPMENT IN A TERRITORIAL CAPITAL CONCEPTUAL FRAMEWORK

By Roberto Camagni, Roberta Capello, Silvia Cerisola and Elisa Panzera The role of Cultural Heritage in local development has been extensively recognized. In this respect, we suggest a conceptual framework…

DO ITALIAN MUSEUMS REALLY COMPETE IN SERVICES?

By Roberto Cellini, Tiziana Cuccia and Domenico Lisi Museums have experienced great changes over the past years. The weight attributed to traditional functions (collection, conservation, research and exhibition), and the…

CULTURAL HERITAGE AND NATURAL DISASTERS: THE INSURANCE CHOICE OF THE ITALIAN CATHEDRALS

By Francesco De Masi and Donatella Porrini Given the threat of natural disasters to Cultural Heritage, this paper aims to analyze the diffusion of insurance contracts among Italian Cathedrals. As…

ARE INTERNSHIPS IN THE CULTURAL INDUSTRY (UN)FAIR? A STUDY OF THE DEMAND SIDE

By Ellen Loots and Rūta Skujiņa Work in the cultural industry has been labelled ‘affective labour’: many workers experience a strong affective attachment to arts and culture, originating and resulting…

DIGITAL PIRACY AND THE PERCEPTION OF PRICE FAIRNESS: EVIDENCE FROM A FIELD EXPERIMENT

By Anna Kukla‑Gryz, Joanna Tyrowicz, Michał Krawczyk Digital piracy is an interesting case of an extremely common activity with a rather shady ethical and legal status. One way of understanding this paradox is…

TESTING THE CULTURAL CAPITAL REPRODUCTION THEORY IN COLOMBIA

By Nora Elena Espinal-Monsalve, Andrey David Ramos-Ramírez y Luz Yadira Gómez-Hernández The relationship between cultural reproduction and cultural consumption can be framed from the theory of social reproduction of Bourdieu…