September 15, 2020
DIGITAL PIRACY AND THE PERCEPTION OF PRICE FAIRNESS: EVIDENCE FROM A FIELD EXPERIMENT
September 1, 2020
TESTING THE CULTURAL CAPITAL REPRODUCTION THEORY IN COLOMBIA
August 18, 2020
FROM CULTURAL HERITAGE TO DEVELOPMENT THROUGH CREATIVITY
July 21, 2020
CREATIVE INDUSTRIES AND THE COVID-19 PANDEMIC – CALL FOR CHAPTERS
July 7, 2020
DOES MUSIC SOOTHE THE SOUL?
June 9, 2020
EFFECTS OF COVID-19 IN BRAZILIAN CULTURAL ECONOMICS
March 31, 2020
LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT
January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN
December 24, 2019
TOO HEAVILY TAXED TO AFFORD IT? VAT AND CULTURAL GOODS
December 10, 2019
MORE THAN A GOOD BOOK: CONTINGENT VALUATION OF PUBLIC LIBRARY SERVICES IN ENGLAND
November 12, 2019
EX-ANTE VS. EX-POST: A REASSESSMENT OF ECONOMIC IMPACT STUDIES IN ARTS AND CULTURE
October 1, 2019
FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION
September 17, 2019
FLAMENCO AND COPYRIGHT. THE CASE OF CAMARÓN DE LA ISLA
September 3, 2019
LEONARDO IN LIMBO: AN ECONOMIC EVALUATION
July 2, 2019
HOW TO GET RID OF TICKET BOTS?
June 18, 2019
DOES BELONGING TO AN ARTISTIC MOVEMENT MAKE BETTER-SELLING ARTISTS?