February 1, 2022
REALITY VS. EXPECTATIONS: WHY WOULD ARTISTS FAVOUR FREE STREAMING?
January 18, 2022
WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450
January 4, 2022
LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR
December 21, 2021
BANDING TOGETHER: NEW COOPERATIVE SOLUTIONS TO PERENNIAL ECONOMIC PROBLEMS
December 7, 2021
ENTREPRENEURIAL ECOSYSTEM FRAMEWORKS FOR THE STUDY OF CULTURAL AND CREATIVE INDUSTRIES: THE CASE OF PORTO
November 23, 2021
ANONYMOUS ART AT AUCTION: LOOKING AT THE “UNBRANDED” AND THE “OUTDATED”
October 26, 2021
CULTURAL ENTREPRENEURSHIP: UNDERSTANDING THE MARKET FOR MEANING
September 14, 2021
THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992
June 22, 2021
BEYOND THE REALM OF CASH: STREET PERFORMERS AND DONATIONS IN THE ONLINE WORLD
May 25, 2021
DO MUSEUMS FOSTER INNOVATION THROUGH ENGAGEMENT WITH THE CULTURAL AND CREATIVE INDUSTRIES?
May 11, 2021
BARGAINING OVER THE BALLET
April 13, 2021
THE ROLE OF CULTURAL CAPITAL ON THE VOLUNTARY CONTRIBUTIONS TO CULTURAL GOODS: A DIFFERENTIAL GAME APPROACH
March 16, 2021
WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?
March 2, 2021
CULTURAL COMMONS AND URBAN DYNAMICS: A MULTIDISCIPLINARY PERSPECTIVE
January 19, 2021
MUSEUM FUNDING IN TIMES OF COVID-19 CRISIS
January 5, 2021
DO ITALIAN MUSEUMS REALLY COMPETE IN SERVICES?