June 9, 2020
EFFECTS OF COVID-19 IN BRAZILIAN CULTURAL ECONOMICS
March 31, 2020
LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT
January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN
December 24, 2019
TOO HEAVILY TAXED TO AFFORD IT? VAT AND CULTURAL GOODS
December 10, 2019
MORE THAN A GOOD BOOK: CONTINGENT VALUATION OF PUBLIC LIBRARY SERVICES IN ENGLAND
November 12, 2019
EX-ANTE VS. EX-POST: A REASSESSMENT OF ECONOMIC IMPACT STUDIES IN ARTS AND CULTURE
October 1, 2019
FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION
September 17, 2019
FLAMENCO AND COPYRIGHT. THE CASE OF CAMARÓN DE LA ISLA
September 3, 2019
LEONARDO IN LIMBO: AN ECONOMIC EVALUATION
July 2, 2019
HOW TO GET RID OF TICKET BOTS?
June 18, 2019
DOES BELONGING TO AN ARTISTIC MOVEMENT MAKE BETTER-SELLING ARTISTS?
June 4, 2019
BOLLYWOOD’S BATTLE
May 21, 2019
HITTING THE ‘TRIPLE J HOTTEST 100’: WHAT IT MEANS FOR ARTISTS
May 7, 2019
CAN WE MEASURE CULTURE IN CITIES?
March 26, 2019
CREATIVITY AND THE CITY: TESTING THE ATTENUATION OF AGGLOMERATION ECONOMIES FOR THE CREATIVE INDUSTRIES
March 12, 2019
MEASURING EMOTION THROUGH QUALITY IN SYMPHONY ORCHESTRAS