July 8, 2024
AIMAC 2024 Post for Economists Talk Art Blog
April 1, 2024
EXAMINING THE POTENTIAL DISRUPTION FROM AD-SUPPORTED STREAMING SERVICES
June 23, 2023
CULTURE OF PHILANTHROPY: A LEVER OF ACTIVE CITIZENSHIP OF ARTS ORGANIZATIONS
June 5, 2023
BUSINESS MODELS OF CONTEMPORARY ART GALLERIES AND ART FAIR INFLUENCE: A THEMATIC SYNTHESIS OF THE LITERATURE
April 4, 2023
THE GENDER PAY GAP IN THE MARKET FOR VISUAL ART IN GERMANY: INSIGHTS FROM AN EMPIRICAL STUDY
February 8, 2023
INNOVATION IN CULTURAL MANAGEMENT (“La Innovación en la Gestión de la Cultura”)
November 15, 2022
COMPARATIVE STUDY OF EUROPEAN POLICIES FOR ETHICAL MUSEUM FUNDRAISING
December 21, 2021
BANDING TOGETHER: NEW COOPERATIVE SOLUTIONS TO PERENNIAL ECONOMIC PROBLEMS
March 31, 2020
LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT
January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN
February 12, 2019
USING ART TO FOSTER SUSTAINABILITY THINKING IN MANAGEMENT EDUCATION
May 22, 2018
MULTIPLE ROADS TO BECOME SUCCESSFUL AS A DESIGNER
November 7, 2017
TRANSFORMATION AND JOB CREATION IN THE CULTURAL AND CREATIVE INDUSTRIES IN SOUTH AFRICA
May 30, 2017
CAN TWO HEADS LEAD? THE ART VERSUS THE COMMERCE ORIENTED MANAGER IN FILM PROJECTS
March 22, 2017
FILM AND THE CITY: SYMBIOTIC ASSOCIATION BETWEEN RIO DE JANEIRO AND BRAZIL’S MOVIE INDUSTRY
December 13, 2016
FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY