Economists Talk Art


Research-based policy analysis and commentary

March 15, 2022
HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE

March 1, 2022
GEOGRAPHIES OF FLOWERS AND FLOWER POWER: DO ARTS AND ECOLOGY AFFECT POLITICAL BEHAVIOR?

February 15, 2022
GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD

February 1, 2022
REALITY VS. EXPECTATIONS: WHY WOULD ARTISTS FAVOUR FREE STREAMING?

January 18, 2022
WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450

January 4, 2022
LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR

December 27, 2021
EconomistsTalkArt wishes you a happy holiday and a great new year 2022 !

December 21, 2021
BANDING TOGETHER: NEW COOPERATIVE SOLUTIONS TO PERENNIAL ECONOMIC PROBLEMS

December 7, 2021
ENTREPRENEURIAL ECOSYSTEM FRAMEWORKS FOR THE STUDY OF CULTURAL AND CREATIVE INDUSTRIES: THE CASE OF PORTO

November 23, 2021
ANONYMOUS ART AT AUCTION: LOOKING AT THE “UNBRANDED” AND THE “OUTDATED”

November 23, 2021
Economy Bytes

November 9, 2021
DOES THE ATTRACTIVENESS OF THE DANCER MATTER IN MODERN DANCE?

October 26, 2021
CULTURAL ENTREPRENEURSHIP: UNDERSTANDING THE MARKET FOR MEANING

October 12, 2021
STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?

September 28, 2021
IMPERIALIST FANTASIES AND POPULAR CULTURE: THE CASE OF TURKISH TV SOAPS

September 14, 2021
THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992

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