Economists Talk Art

Research-based policy analysis and commentary

March 15, 2022

HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE

March 1, 2022

GEOGRAPHIES OF FLOWERS AND FLOWER POWER: DO ARTS AND ECOLOGY AFFECT POLITICAL BEHAVIOR?

February 15, 2022

GLOBALIZATION AND THE RISE OF ACTION MOVIES IN HOLLYWOOD

February 1, 2022

REALITY VS. EXPECTATIONS: WHY WOULD ARTISTS FAVOUR FREE STREAMING?

January 18, 2022

WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450

January 4, 2022

LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR

December 27, 2021

EconomistsTalkArt wishes you a happy holiday and a great new year 2022 !

December 21, 2021

BANDING TOGETHER: NEW COOPERATIVE SOLUTIONS TO PERENNIAL ECONOMIC PROBLEMS

December 7, 2021

ENTREPRENEURIAL ECOSYSTEM FRAMEWORKS FOR THE STUDY OF CULTURAL AND CREATIVE INDUSTRIES: THE CASE OF PORTO

November 23, 2021

ANONYMOUS ART AT AUCTION: LOOKING AT THE “UNBRANDED” AND THE “OUTDATED”

November 23, 2021

Economy Bytes

November 9, 2021

DOES THE ATTRACTIVENESS OF THE DANCER MATTER IN MODERN DANCE?

October 26, 2021

CULTURAL ENTREPRENEURSHIP: UNDERSTANDING THE MARKET FOR MEANING

October 12, 2021

STUDIOS VS. STREAMING: WHICH ‘LOGIC’ WILL PREVAIL IN HOLLYWOOD?

September 28, 2021

IMPERIALIST FANTASIES AND POPULAR CULTURE: THE CASE OF TURKISH TV SOAPS

September 14, 2021

THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992

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