PSYCHOLOGICAL CAPITAL AND THE LIFE CYCLE OF CREATIVE CAREERS

Why do similarly talented creators follow such different career paths? We develop an economic framework in which psychological capital shapes the perceived cost of creative effort. Because this stock accumulates…

WHAT TRADE DATA SAY ABOUT THE ILLICIT TRAFFICKING OF CULTURAL GOODS

Cultural goods carry economic and identity value and are therefore subject to strict regulation. Yet their illicit trade is a global phenomenon, historically linked to colonial dynamics and the financing…

CREATIVE WORK IN THE AGE OF GENERATIVE AI: EARLY LABOR MARKET SIGNALS

Debates about generative AI and creative work often collapse into a single substitution story. If systems can draft, compose, and edit at near zero marginal cost, should artists be expected…

HOW AUTONOMY RESHAPED THE COMPETITIVE BEHAVIOR OF ITALIAN MUSEUMS

The study investigates how organization and governance models shape museums’ behaviour. It show that the Italian Reform of museums, granting organizational and financial autonomy to selected museums, has provided effective…

STRONGER TOGETHER? HIGHER EDUCATION AND CULTURAL VIBRANCY IN ITALIAN CITIES

From Bologna to Trento, Florence to Naples, Italian cities have long embodied the coexistence of intellectual and cultural life. Universities and cultural institutions often share the same streets, public spaces,…

CAN 500€ CHANGE CULTURAL HABITS? EVIDENCE FROM ITALY’S 18APP

We identify the causal impact of 18app, a universal cultural voucher for 18-year-olds introduced in Italy with the aim of fostering cultural participation. The policy boosts participation, especially among disadvantaged…

EMPOWERING WOMEN THROUGH CULTURE, CREATIVITY, AND ENTREPRENEURSHIP FOR THE SDGS

The chapter, published by Elsevier in the book Women’s Entrepreneurship and the Sustainable Development Goals, starts from a simple question: If you care about gender equality and the SDGs, is…

OPENING DOORS: WELCOMING PEOPLE WITH DISABILITIES IN ARTS CENTERS

This article looks at how people with disabilities experience arts centers. Based on a large visitor survey, it shows that while barriers still exist, cultural participation can be deeply rewarding….

WHEN ART OFFENDS: HOW THE PUBLIC THINKS ABOUT CENSORSHIP AND FUNDING

What happens when publicly funded art sparks outrage? Throughout history, scandals have raised the same question: should governments censor or defund offensive culture? Our study uncovers four distinct public opinion…