March 10, 2026
ASYMMETRIC CULTURAL GLOBALIZATION, TOP PERFORMERS’ INCOME AND INEQUALITY
February 23, 2026
HOW ORCHESTRAS CAN ADVANCE WOMEN COMPOSERS
February 10, 2026
STRONGER TOGETHER? HIGHER EDUCATION AND CULTURAL VIBRANCY IN ITALIAN CITIES
January 19, 2026
CAN 500€ CHANGE CULTURAL HABITS? EVIDENCE FROM ITALY’S 18APP
January 6, 2026
EMPOWERING WOMEN THROUGH CULTURE, CREATIVITY, AND ENTREPRENEURSHIP FOR THE SDGS
December 23, 2025
ECONOMISTS TALK ART WISHES YOU A HAPPY HOLIDAY AND A WONDERFUL NEW 2026
December 15, 2025
AMATEUR ARTISTS AND STARTUP INNOVATION
December 1, 2025
SONGS AND NARRATIVES – DOES IT MATTER?
November 18, 2025
OPENING DOORS: WELCOMING PEOPLE WITH DISABILITIES IN ARTS CENTERS
November 3, 2025
WHEN ART OFFENDS: HOW THE PUBLIC THINKS ABOUT CENSORSHIP AND FUNDING
October 20, 2025
I LIKE PARTICIPATORY MUSEUMS… BUT, TO WHAT EXTENT? A DEMAND AND SUPPLY-SIDE VALUE ASSESSMENT
October 7, 2025
PUTTING THE PERIPHERY ON THE MAP: BIG DATA SHEDS NEW LIGHT ON TOURIST FLOWS IN EUROPE
September 23, 2025
WHO GETS COUNTED AS AN ARTIST? EVIDENCE FROM A GUARANTEED INCOME PROGRAM
July 15, 2025
DIGITAL TRANSFORMATION AND CULTURAL CONSUMPTION ACROSS THE ITALIAN REGIONS
July 1, 2025
ACEI 2025: A LANDMARK GATHERING FOR CULTURAL ECONOMISTS AROUND THE GLOBE
June 10, 2025
NOT JUST ANOTHER CRYPTO SCHEME: WHAT MAKES ART INVESTMENT PLATFORMS LEGIT?