
July 7, 2020
DOES MUSIC SOOTHE THE SOUL?

June 23, 2020
THE USE OF IRONIC HUMOR IN FESTIVAL BRANDING

June 9, 2020
EFFECTS OF COVID-19 IN BRAZILIAN CULTURAL ECONOMICS

June 2, 2020
POLICING ART CRIME

May 12, 2020
TEACHING CULTURAL ECONOMICS

April 29, 2020
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES

April 14, 2020
UNDERSTANDING INSTITUTIONAL LOGICS AND INSTITUTIONAL WORK PRACTICES IN FESTIVALS: LUCCA COMICS AND GAMES

March 31, 2020
LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT

March 17, 2020
THE “PARSIMONIOUS” CONDUCTOR? HOW ORCHESTRAS’ DISCIPLINE PREVENTS CONDUCTORS TO OVER-LEAD

March 16, 2020
ACEI 2020 MOVED TO 2021

March 3, 2020
A VALUE-BASED APPROACH APPLIED TO PUBLIC BROADCASTERS

February 18, 2020
ICCA 2020: CULTURAL POLICY, WHAT’S NEW?

February 4, 2020
SIEC 2019: THE HAPPY FEW, ALBEIT FURTHER AND FURTHER AWAY

January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN

January 7, 2020
CULTURAL FESTIVALS: STATE OF THE ART AND NEW AVENUES OF RESEARCH

December 31, 2019