Economists Talk Art


Research-based policy analysis and commentary

March 31, 2020
LEVERAGING ANALYTICS TO PRODUCE COMPELLING AND PROFITABLE FILM CONTENT

March 17, 2020
THE “PARSIMONIOUS” CONDUCTOR? HOW ORCHESTRAS’ DISCIPLINE PREVENTS CONDUCTORS TO OVER-LEAD

March 16, 2020
ACEI 2020 MOVED TO 2021

March 3, 2020
A VALUE-BASED APPROACH APPLIED TO PUBLIC BROADCASTERS

February 18, 2020
ICCA 2020: CULTURAL POLICY, WHAT’S NEW?

February 4, 2020
SIEC 2019: THE HAPPY FEW, ALBEIT FURTHER AND FURTHER AWAY

January 21, 2020
THE ROLE OF ART INVESTMENT AS A HEDGE OR SAFE HAVEN

January 7, 2020
CULTURAL FESTIVALS: STATE OF THE ART AND NEW AVENUES OF RESEARCH

December 31, 2019
EconomistsTalkArt.org wishes you happy holidays and a great new year 2020!

December 24, 2019
TOO HEAVILY TAXED TO AFFORD IT? VAT AND CULTURAL GOODS

December 10, 2019
MORE THAN A GOOD BOOK: CONTINGENT VALUATION OF PUBLIC LIBRARY SERVICES IN ENGLAND

November 12, 2019
EX-ANTE VS. EX-POST: A REASSESSMENT OF ECONOMIC IMPACT STUDIES IN ARTS AND CULTURE

October 15, 2019
THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?

October 1, 2019
FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION

September 17, 2019
FLAMENCO AND COPYRIGHT. THE CASE OF CAMARÓN DE LA ISLA

September 3, 2019
LEONARDO IN LIMBO: AN ECONOMIC EVALUATION

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