Category: Cultural Economics

August 29, 2017
MAKING CULTURE CAPITAL: EVALUATING THREE DECADES OF THE EUROPEAN CAPITAL OF CULTURE
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May 2, 2017
FOR MUSEUMS, WITH RAIN COME CROWDS?
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April 18, 2017
THE PRINCESS OF ASTURIAS FOUNDATION OR HOW A NON-PROFIT INSTITUTION CAN BE EFFICIENT
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April 4, 2017
CULTURALLY-BIASED VOTING IN THE EUROVISION SONG CONTEST: DO NATIONAL CONTESTS DIFFER?
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February 21, 2017
FROM SNOBBY TO SUSTAINABLE: MOVING MUSEUM FUNDRAISING FROM SELECT ELITIST CONTRIBUTIONS TO DIVERSE COMMUNITY PARTICIPATION
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December 13, 2016
FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY
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October 25, 2016
VOLATILE ART AUDIENCES
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October 11, 2016
GOING MEANS TROUBLE AND STAYING MAKES IT DOUBLE: THE VALUE OF LICENSING RECORDED MUSIC ONLINE
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September 13, 2016
INSPIRING LOUVRE OR TATE? SUBJECTIVE WELL-BEING AND ENGAGEMENT IN ARTS, CULTURE AND SPORT
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August 30, 2016
SOMEBODY MUST KNOW SOMETHING!
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August 16, 2016
THE ARTS CONNECT STUDENTS TO SCHOOL
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June 28, 2016
A HISTORY OF THE ART MARKET IN 35 RECORD-BREAKING SALES
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June 14, 2016
MUSIC AND THE MUSIC INDUSTRY: A SAD-ONOMICS APPROACH
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March 16, 2016
WHAT IS COPYRIGHT GOOD FOR?
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March 2, 2016
WHAT CULTURAL PRODUCERS MAY LEARN IN TIME OF RECESSION
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February 16, 2016
WHO ARE THE VISITORS OF CULTURAL SITES ACROSS EU COUNTRIES?
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