March 27, 2018
CHANGING FUNDERS, CHANGING VALUES? EVIDENCE ON CROWDFUNDING IN THE NETHERLANDS
March 13, 2018
UNFORESEEN CONSEQUENCES OF GOVERNMENT BUDGET CUTS TO PUBLIC LIBRARIES
February 27, 2018
NUDGE: IMPROVING DECISIONS ABOUT ARTS AND CULTURE?
February 14, 2018
CULTURAL DIPLOMACY: ARM’S LENGTH STRATEGIES UNDER THE MICROSCOPE
January 30, 2018
TWO INFORMATION AGGREGATION MECHANISMS FOR PREDICTING THE OPENING WEEKEND BOX OFFICE REVENUES OF FILMS
January 16, 2018
ARE THEY ALL THE SAME? A CASE STUDY OF THREE AUSTRALIAN INDIGENOUS ARTISTS
December 19, 2017
MUSEUMS SELLING ART: LA LIAISON DANGEREUSE BETWEEN DEACCESSIONS AND DONATIONS
November 7, 2017
TRANSFORMATION AND JOB CREATION IN THE CULTURAL AND CREATIVE INDUSTRIES IN SOUTH AFRICA
October 10, 2017
EXPLAINING THE CONTROVERSIAL APPEAL OF MOVIE FRANCHISES
August 29, 2017
MAKING CULTURE CAPITAL: EVALUATING THREE DECADES OF THE EUROPEAN CAPITAL OF CULTURE
May 2, 2017
FOR MUSEUMS, WITH RAIN COME CROWDS?
April 18, 2017
THE PRINCESS OF ASTURIAS FOUNDATION OR HOW A NON-PROFIT INSTITUTION CAN BE EFFICIENT
April 4, 2017
CULTURALLY-BIASED VOTING IN THE EUROVISION SONG CONTEST: DO NATIONAL CONTESTS DIFFER?
February 21, 2017
FROM SNOBBY TO SUSTAINABLE: MOVING MUSEUM FUNDRAISING FROM SELECT ELITIST CONTRIBUTIONS TO DIVERSE COMMUNITY PARTICIPATION
December 13, 2016
FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY
October 25, 2016
VOLATILE ART AUDIENCES