
August 29, 2017
MAKING CULTURE CAPITAL: EVALUATING THREE DECADES OF THE EUROPEAN CAPITAL OF CULTURE

May 2, 2017
FOR MUSEUMS, WITH RAIN COME CROWDS?

April 18, 2017
THE PRINCESS OF ASTURIAS FOUNDATION OR HOW A NON-PROFIT INSTITUTION CAN BE EFFICIENT

April 4, 2017
CULTURALLY-BIASED VOTING IN THE EUROVISION SONG CONTEST: DO NATIONAL CONTESTS DIFFER?

February 21, 2017
FROM SNOBBY TO SUSTAINABLE: MOVING MUSEUM FUNDRAISING FROM SELECT ELITIST CONTRIBUTIONS TO DIVERSE COMMUNITY PARTICIPATION

December 13, 2016
FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY

October 25, 2016
VOLATILE ART AUDIENCES

October 11, 2016
GOING MEANS TROUBLE AND STAYING MAKES IT DOUBLE: THE VALUE OF LICENSING RECORDED MUSIC ONLINE

September 13, 2016
INSPIRING LOUVRE OR TATE? SUBJECTIVE WELL-BEING AND ENGAGEMENT IN ARTS, CULTURE AND SPORT

August 30, 2016
SOMEBODY MUST KNOW SOMETHING!

August 16, 2016
THE ARTS CONNECT STUDENTS TO SCHOOL

June 28, 2016
A HISTORY OF THE ART MARKET IN 35 RECORD-BREAKING SALES

June 14, 2016
MUSIC AND THE MUSIC INDUSTRY: A SAD-ONOMICS APPROACH

March 16, 2016
WHAT IS COPYRIGHT GOOD FOR?

March 2, 2016
WHAT CULTURAL PRODUCERS MAY LEARN IN TIME OF RECESSION

February 16, 2016