February 21, 2017
FROM SNOBBY TO SUSTAINABLE: MOVING MUSEUM FUNDRAISING FROM SELECT ELITIST CONTRIBUTIONS TO DIVERSE COMMUNITY PARTICIPATION
December 13, 2016
FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY
October 25, 2016
VOLATILE ART AUDIENCES
October 11, 2016
GOING MEANS TROUBLE AND STAYING MAKES IT DOUBLE: THE VALUE OF LICENSING RECORDED MUSIC ONLINE
September 13, 2016
INSPIRING LOUVRE OR TATE? SUBJECTIVE WELL-BEING AND ENGAGEMENT IN ARTS, CULTURE AND SPORT
August 30, 2016
SOMEBODY MUST KNOW SOMETHING!
August 16, 2016
THE ARTS CONNECT STUDENTS TO SCHOOL
June 28, 2016
A HISTORY OF THE ART MARKET IN 35 RECORD-BREAKING SALES
June 14, 2016
MUSIC AND THE MUSIC INDUSTRY: A SAD-ONOMICS APPROACH
March 16, 2016
WHAT IS COPYRIGHT GOOD FOR?
March 2, 2016
WHAT CULTURAL PRODUCERS MAY LEARN IN TIME OF RECESSION
February 16, 2016
WHO ARE THE VISITORS OF CULTURAL SITES ACROSS EU COUNTRIES?
January 26, 2016
FROM MORE TO BETTER: WHAT ART TEACHES US ABOUT QUALITY
January 12, 2016
MULTI-PLATFORM MEDIA: HAS DIGITIZATION REALLY GIVEN US MORE FOR LESS?
December 1, 2015
DO LIVE BROADCASTS CANNIBALIZE THEATRE ATTENDANCE?
November 21, 2015
DO CULTURAL MEGA EVENTS RAISE HAPPINESS?