
April 29, 2020
FRENCH MUSEUMS AND CROWDFUNDING : EVOLUTIONS AND OUTCOMES

April 14, 2020
UNDERSTANDING INSTITUTIONAL LOGICS AND INSTITUTIONAL WORK PRACTICES IN FESTIVALS: LUCCA COMICS AND GAMES

January 7, 2020
CULTURAL FESTIVALS: STATE OF THE ART AND NEW AVENUES OF RESEARCH

July 2, 2019
HOW TO GET RID OF TICKET BOTS?

April 9, 2019
ACCOUNTING FOR HERITAGE ASSETS

May 9, 2018
DOUBLE JEOPARDY – MORE FLEXIBLE SUBSCRIPTION TICKETS AND HIGHER TICKET PRICES

April 10, 2018
PAY-WHAT-YOU-WANT IN CULTURAL INSTITUTIONS: TOP MANAGERIAL TIPS

February 27, 2018
NUDGE: IMPROVING DECISIONS ABOUT ARTS AND CULTURE?

December 19, 2017
MUSEUMS SELLING ART: LA LIAISON DANGEREUSE BETWEEN DEACCESSIONS AND DONATIONS

October 24, 2017
DOMINANT AND DOMINATED POSITIONS IN THE CO-PRODUCTION NETWORK OF THEATRE COMPANIES IN ITALY’S CAMPANIA REGION

June 27, 2017
DONOR GOVERNANCE AND FINANCIAL MANAGEMENT IN PROMINENT US ART MUSEUMS

February 21, 2017
FROM SNOBBY TO SUSTAINABLE: MOVING MUSEUM FUNDRAISING FROM SELECT ELITIST CONTRIBUTIONS TO DIVERSE COMMUNITY PARTICIPATION

January 24, 2017
PERFORMANCE EVALUATION IN THE ARTS? NO TECHNIQUE CAN SUBSTITUTE A SUBSTANTIVE DISCUSSION OF THE MEANING OF ARTS, CULTURE AND HERITAGE FOR INDIVIDUALS, ORGANIZATIONS AND SOCIETY

December 13, 2016
FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY

November 30, 2016