USING EXPERIMENTS TO ADDRESS PARTICIPATORY MANAGEMENT OF CULTURAL HERITAGE

By Mina Dragouni and Nikos Georgantzis Despite the increasing popularity of community-inclusive, bottom-up management in the field of cultural heritage, researchers on the subject still face the challenge of limited…

PERFORMANCE EVALUATION IN THE ARTS? NO TECHNIQUE CAN SUBSTITUTE A SUBSTANTIVE DISCUSSION OF THE MEANING OF ARTS, CULTURE AND HERITAGE FOR INDIVIDUALS, ORGANIZATIONS AND SOCIETY

By Francesco Chiaravalloti A systematic literature review of contributions to the arts and cultural sector which have appeared in accounting journals shows that the evaluation of the artistic performance of…

VOLATILITY OF PRICE INDICES FOR HETEROGENEOUS GOODS WITH APPLICATIONS TO THE FINE ART MARKET

By Fabian Bocart and Christian Hafner Understanding the behavior of art prices is important to precisely anticipate the financial benefits of owning art. So far, a very common approach in the…

ARTS MANAGEMENT KNOWLEDGE IN A LATIN-AMERICAN CONSTRUCTIVE PERSPECTIVE

By Jaime Ruiz-Gutiérrez The creation and production of knowledge has been a monopole of industrialized economies. Their economic conditions are the guaranty to provide the better conditions to reach a…

VOLATILE ART AUDIENCES

By Koen van Eijck Cultural consumers are increasingly hard to pin down as a certain type of consumer with a clearly defined taste. In addition, younger generations show a declining…

GOING MEANS TROUBLE AND STAYING MAKES IT DOUBLE: THE VALUE OF LICENSING RECORDED MUSIC ONLINE

By Christian Handke, Balász Bodó and Joan-Josep Vallbé A longstanding and divisive debate rages over copyright enforcement online. This article discusses an alternative approach of a copyright compensation system (CCS)…