Previous Conferences – CulturalEconomics

2021: The 21st International Conference was hosted online and supported by an organisational team based at Copenhagen Business School and RMIT University.

2018: The 20^th International Conference was hosted by RMIT University in Melbourne, Australia.

2016: The 19^th International Conference was hosted by Universidad de Valladolid in Valladolid, Spain

2014: The 18^th International Conference was hosted by L’Université du Québec à Montréal (UQAM) in Montreal, Canada

2012: The 17^th International Conference was hosted by Doshisha University in Kyoto, Japan

2010: The 16^th International Conference was hosted by Copenhagen Business School in Copenhagen, Denmark

2008: The 15^th International Conference was hosted by Northeastern University Boston, United States

2006: The 14^th International Conference was hosted by the University of Music and Performing Arts in Vienna, Austria

2004: The 13^th International Conference was hosted by the University of Illinois Chicago in Chicago, United States

2002: The 12^th International Conference was hosted by Erasmus University in Rotterdam, The Netherlands

2000: The 11^th International Conference was held in Minneapolis, United States

1998: The 10^th International Conference was held in Barcelona, Spain

1996: The 9th International Conference was held in Boston, United States

1994: The 8th ACEI International Conference was held in Witten/Herdecke, Germany

EconomistsTalkArt.org goes on vacation 16 July, 2021
By The Editorial EconomistsTalkArt.org has selected bi-weekly posts for the past six years for you to read leading research in cultural economics and related areas, including policy, management and entrepreneurship. At Economists Talk Art you can find 133 posts covering the art market, gallery and museum world, book publishing, cultural and creative industries, heritage, film,... […]
BEYOND THE REALM OF CASH: STREET PERFORMERS AND DONATIONS IN THE ONLINE WORLD 22 June, 2021
By Meg Elkins and Tim R.L. Fry The exchange for money between street performers and audiences is a changing landscape. Using unique data from an online platform The Busking Project we investigate what type of street performers, who engage with the platform, are more likely to receive donations and which characteristics generate higher dollar amounts... […]
UNDERSTANDING DIFFERENCES IN DONATIONS TO CULTURAL HERITAGE 8 June, 2021
By Victoria Ateca-Amestoy and Arantza Gorostiaga Cultural participation can engage in cultural heritage beyond visits to includes donating their money and their time to cultural heritage organisations. The participant’s philanthropic motives of charitable giving and their cultural preference evaluating cultural heritage are characterized in “Donating Money and Time to Cultural Heritage. Evidence from the European... […]
DO MUSEUMS FOSTER INNOVATION THROUGH ENGAGEMENT WITH THE CULTURAL AND CREATIVE INDUSTRIES? 25 May, 2021
By Chiara Dalle Nogare and Monika Murzyn-Kupisz The recent narrative on museums as catalysts of innovation considers their relations with other cultural and creative industries to be very important. To verify this claim, we propose a conceptual framework qualifying these relations as either strong, moderate, or weak links, according to their potential in terms of... […]